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Schwitters, Kurt --- Schwitters, Kurt, --- Exhibitions --- Merz-kunst --- Arp, Hans --- Blume, Anna --- Hausmann, Raoul --- 7.07 --- 75.07 --- Abstracte schilderkunst --- Assemblages ; collages --- Dada ; Merz ; Kurt Schwitters --- Kunst algemeen ; 2de h. 20ste eeuw ; Kurt Schwitters --- Kurt Schwitters 1887-1948 (° Hannover, Dl.) --- Tentoonstellingscatalogi ; Parijs ; Centre Georges Pompidou --- Typografie ; poëzie --- 7.071 SCHWITTERS --- Schwitters Kurt --- collages --- dadaïsme --- fotografie --- kunst --- merz --- schilderkunst --- twintigste eeuw --- typografie --- 705.8 --- Arp, Jean --- Merzbau-collectie --- installaties --- monstructivisme --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Schilderkunst ; schilders --- kunstgeschiedenis, 20e eeuw --- Швітэрс, Курт, --- Shvitėrs, Kurt, --- Швитерс, Курт, --- Σβίττερς, Κουρτ, --- Kourt Svitters --- שוויטרס, קורט, --- Šviterss, Kurts, --- クルト・シュヴィッタース, --- シュヴィッタース, クルト, --- Shuvittāsu, Kuruto, --- Швиттерс, Курт, --- Shvitters, Kurt, --- Šviters, Kurt, --- Exhibitions. --- Schwitters, Kurt, - 1887-1948 - Exhibitions --- Merz-kunst. --- Schwitters, Kurt. --- Arp, Hans. --- Blume, Anna. --- Hausmann, Raoul.

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Art ou document ? Née de l'opposition fertile entre la notion d'usage et celle d'expérience artistique, la photographie contemporaine est une aventure esthétique majeure de la fin du XXe siècle et du début du XXIe siècle. Cet essai tente de cerner l'identité historique de la photographie contemporaine. Crise des des usages, légitimation artistique, utopie documentaire, les régimes historiques de la photographie contemporaine reflètent le désir d'une reconquête des valeurs telles que la vérité du témoignage, l'autorité de la représentation, l'équité de la relation image-spectateur. (extrait du dos de la couverture)

Photography, Artistic. --- Photographie artistique --- Photography, Artistic --- Histoire de la photographie --- 20e siècle --- Panorama mondial --- 77.01 --- Michel Poivert --- fotografie --- twintigste eeuw --- Ackerman Michel --- d'Agata Antoine --- Amand Stanislas --- Appelt Dieter --- Araki Nobuyoshi --- Arden Roy --- Baldessari John --- Baltz Lewis --- Basilico Gabriele --- Bauer Brigitte --- Becher Bernd & Hilla --- Bélin Valérie --- Billibham Richard --- Blenkinsop Philip --- Blume Anna & Bernhard --- Boltanski Christian --- Bustamante Jean-Marc --- Clark Larry --- Clegg & Guttmann --- Cohen Lynne --- Collyer Robin --- Coplans John --- Cuisset Thibaut --- Davies John --- Delahaye Luc --- Delpierre Lin --- DiCorcia Philip-Lorca --- Doherty Willy --- Eggleston William --- Feldmann Hans-Peter --- Fischli & Weiss --- Fulton Hamish --- Garnell Jean-Louis --- Gilbert & George --- Gisinger Arno --- Goldin Nan --- Graham Paul --- Gursky Andreas --- Hocine --- Höfer Candida --- Hütte Axel --- Jaar Alfredo --- Jouve Valérie --- Keen Andrea --- Lafont Suzanne --- Knorr Karen --- Koudelka Josef --- Levitt Helen --- Mérillon Georges --- Moulène Jean-Luc --- Moffatt Tracey --- Niedermayr Walter --- Orlan --- Parr Martin --- Pataut Marc --- Peress Gilles --- Poitevin Eric --- Ristelhueber Sophie --- Rondepierre Eric --- Rosler Martha --- Ruff Thomas --- Salerno Paola --- Salgado Sebastiao --- Saussier Gilles --- Schmidt Michael --- Schoellkopf Jean-Louis --- Sekula Alan --- Serralongue Bruno --- Serrano Andreas --- Sherman Cindy --- Streuli Beat --- Struth Thomas --- Tosani Patrick --- Vitali Massimo --- Wall Jeff --- Waplington Nick --- Wegman William --- 77.038 --- 77.039 --- Fotografie--Semiotiek van de fotografie. Theorie --- 77.01 Fotografie--Semiotiek van de fotografie. Theorie --- Artistic photography --- Photography --- Photography, Pictorial --- Pictorial photography --- Art --- Aesthetics --- Photographie --- Photographie documentaire --- 1970-2000 --- Philosophie